Visible Evidence 2021

Skip Norman’s “On Africa”

Volker Pantenburg
Marie-Hélène Gutberlet
Madeleine Bernstorff
Tom Holert
Wed, Dec 15
90 Min
Mousonturm (Theatre)
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Screening and discussion, in collaboration with the Harun Farocki Institut

Skip Norman shot On Africa after graduating from the German Film and Television Academy (DFFB), where he was a student from 1966 to 1969. On the level of the image we see tracking shots through West Berlin, information detailing the economic gains of colonialist exploitations, and photographs from West Africa, while the soundtrack shares facts about the continent’s conquest and decolonization. As Norman himself put it: “The starting point is the relationship between Europe’s prosperity and Africa’s poverty; Europe’s destruction of societies and cultures, and the simultaneous use of Christianity and racial theories as justification for a massive exploitation of the colonized.” On Africa was first shown at the Festival in Mannheim in 1970 and then broadcast on television by WDR in 1972. In the autumn of 2020, the Harun Farocki Institut was able to digitize a 16mm print from the archive at the WDR.

Skip Norman was one of the most prolific cinematographers at DFFB and later continued to work as a DOP with filmmakers like Michelle Parkerson and Haile Gerima. On Africa will be preceded by a screening of Their Newspapers, one of the early examples of Norman’s collaboration with Farocki as a cameraperson. The film is a collective agit-prop piece targeting the demagogic Springer Press.


Screenings and keynotes on location are open to the general public. Tickets can be booked via the Künstlerhaus Mousonturm and DFF – Deutsches Filminstitut & Filmmuseum websites.

Skip Norman

Skip Norman, filmmaker, cinematographer, ethnographer and photographer, was born in Baltimore in 1933 and died in Washington, DC, in 2015. He belonged to the first class of students at Deutsche Film- und Fernsehakademie Berlin (DFFB) in 1966. Like Helke Sander, Gerd Conradt, Harun Farocki, Holger Meins and other fellow students with whom he collaborated closely, he combined formal rigor and a sense of experimentation with political resoluteness and a strong desire for justice and equality. His specific take on racism, imperialism and exploitation in Germany, the USA and Africa was informed by decolonial thinkers such as Frantz Fanon, but also by the revolutionary ideas of the Black Panther Party.