Visible Evidence 2021

The Exceptions: Three Angles on the Value of Prestige

Jason Fox
Juliano Gomes
Stefan Tarnowski
Genevieve Yue
Thu, Dec 16
90 Min
Mousonturm (Theatre), Online
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A talk and discussion on the global politics of European film festivals, in collaboration with World Records

“Politics is what can’t be counted in advance,” Juliano Gomes writes about the social potential of documentary film festivals. Yet, when it comes to the European prestige festival circuit, what counts for filmmakers is being selected. And being accepted is the exception. European prestige documentary festivals (including the International Film Festival of Rotterdam, Locarno Film Festival, Venice Film Festival, and CPH:DOX) play an outsized role in normalizing the aesthetic terms and political conditions of global documentary exhibition. The relationships between the formal terms and political consequences that prestige festivals condense is the topic of this collective keynote event.


We investigate how local production and exhibition contexts link up with on and off-screen global flows, beginning with the role of European festival premieres in the exhibition strategies of Bidayyat, a Beirut-based organization that was founded at the start of the 2011 Syrian Revolution. We examine the relationship between the social sites of particular festivals, such as FID Marseille and the Locarno Film Festival, and the formal terms these festivals have championed, arguing that these festivals have embraced visions of nonfiction historical narration that turn away from the representational strategies of language such that they can be celebrated under the banner of art. Once they have been recognized as art, we track films as they travel to Sao Paulo, Brazil’s It’s All True Festival, contrasting the festival’s European driven programming tendencies with the more regional focus of the Forum Doc Festival in Belo Horizonte.


Screenings and keynotes on location are open to the general public. Tickets can be booked via the Künstlerhaus Mousonturm and DFF – Deutsches Filminstitut & Filmmuseum websites.

Jason Fox

Jason Fox is the Founding Editor of World Records. He has taught Media Studies at Princeton University, Vassar College, and CUNY Hunter College.

Juliano Gomes

Juliano Gomes is a film critic and programmer based in Rio de Janeiro, Brazil. He works as a programmer for Sheffield DocFest and for Sessão Cinética at IMS-Rio and São Paulo. He is co-editor-in-chief of Brazilian film criticism online journal Revista Cinética.

Stefan Tarnowski

Stefan Tarnowski is a writer, translator and PhD Candidate at Columbia University’s Anthropology Department. His research focuses on Syria since the 2011 revolution, and in particular on the relations between technology, political economy and social imaginaries. His ethnographic fieldwork with Syrian media activists and civil society organisations was funded by a grant from the Wenner-Gren Foundation 2018-19, and the German Orient-Institut Beirut 2019-20.

Genevieve Yue

Genevieve Yue is Assistant Professor of Culture and Media and director of the Screen Studies program at Eugene Lang College, the New School. She is a member of the Board of Trustees of the Flaherty, and has written criticism for Film Comment, Film Quarterly, art-agenda, and Reverse Shot. author of Girl Head: Feminism and Film Materiality (Fordham University Press, 2020).